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SAITAMA SUPER ARENA 2020
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SAITAMA SUPER ARENA 2020
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2 CD |
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From Internet page.
“THE RHAPSODY TOUR” by QUEEN + Adam Rampart, who has become a
huge frenzy since the 1980s. The best original recording that
preserves the ・ January 25 “SAITAMA SUPER ARENA 2020 1ST NIGHT” & “CLOSED
SOUNDCHECK” More than 4 performances. Currently, Western Japan’s breaking
live albums and various images are also appearing, but the press
version [The highest peak on the second day, which became more gorgeous based on the experience on the first day] The quality of this work is just the best. This show has already been reported as a part of the highest peak master’s four-disc set “SAITAMA SUPER ARENA 2020 (hereinafter, the previous work)”, but in fact this work refines the second day with meticulous mastering It is. The relationship between the original sound and the remaster will be given to the explanation of “SAITAMA SUPER ARENA 2020 1ST NIGHT”, and the original master of this work is a sister work by the same recorder, the same equipment, the same venue, and the same position as “1ST NIGHT”. Therefore, the compatibility with mastering may be omitted, and this work is completely reborn. In addition, the final form transcends “1ST NIGHT”. The conditions are all the same as above, but the sound on the second day is better because the sound on the band side is different. The difference was felt in the previous work of the four-disc set, but it has been carried over to this remastered work. Of course, it is a slight difference only in the same system, but it is this work that reigns in the ultimate “Kanto recording top” (West Japan is still in the middle of the vertex war, so avoid the affirmation of the tour best) ). And there are two main differences. The first is a sense of stability in the first half. As a matter of fact, on the first day, the sound was approaching the treble at the beginning of the venue PA. It started to calm down from about the 5th song and became a natural balance, but the second day of this work was stable from the beginning. It is directly related to the quality of this work. The other is a gorgeous feeling of sound. Even with “ 1ST NIGHT ”, exquisite sound components were left, and cloudiness was cleared out clearly, but even with the same processing, the response of the midrange is more plenty, and the edge of the deep bass is sharp It is impressive. This is (probably) also due to the sound of the site PA. Generally speaking, the second day of the venue is strong. No matter how carefully you check the sound, the sound changes just by putting in the audience, but all songs are played in that state. Not only the balance, but also the difference in how the music is heard can be perfectly understood and the ideal can be pursued. In this work, the sound “QUEEN wants” that takes advantage of such strengths is firmly engraved, and it is also a clear recording so that it can be clearly felt. [Full show with plenty of famous songs since the 70s / 80s] Such skill is apparent not only in the sound staff but also in the band itself. Despite having performed two shows in Korea before coming to Japan, the Asian leg itself was the head of the 2020 World Tour. In one performance one performance, I recovered the can and my body was getting used to it. In addition, this work is the second performance of the same venue, and the songs to be played are the same (only the position of the Japanese limited song “I Was Born To Love You” has been changed, so the flow is more complete). On the first day, the rhythm became unstable and there were some songs that I couldn’t wipe out, but on the second day of this work, it became stable. The set has been introduced in various commentaries, so let’s regroup it based on QUEEN’s history in Japan. ● Songs played last time (2016) ● Songs that were unveiled in Japan this time … and it looks like this. QUEEN + Adam is the third visit to
Japan, but this time there are no Brian or Dam solo numbers, all
QUEEN. Adam has six songs |
